When the sculptor Arlie Regier first came to me in 1994, he was as unknown an artist as I was a gallery owner.  But I instinctively realized that his works, some of them composed of 5000 pieces of stainless steel, would find a broad audience if I could just succeed at promoting him.  Man, did that take years of hard work for both him and me.  A new artist (he was 64 at the time) is always slow to be recognized.  But if you believe in the work and the artist…

Keep reading →